See Shearon et al., "Gospel Music." Joyce Martin-Sanders - Biography - IMDb tippy('#footnote_plugin_tooltip_1524_1_58', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_58').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Blevins links the emergence of the Ozark image to the cultivation of cotton, which transformed the lowlands and delta of Arkansas's east, middle, and south into vast mechanized agricultural zones. tippy('#footnote_plugin_tooltip_1524_1_47', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_47').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet The Martins remain beloved members of the Homecoming cast and reputational avatars of gospel traditionalism carried on in the music of a new generation of songbirds. 5 [September, 1996]: 386405). Southern gospel's cultural sustainability turns out to be an urgent matter of concern, even if southern gospel people themselves do not tend to speak about it that way. The Arkansas imaginary has explanatory power for The Martins inasmuch as southern gospel music revoices and revalues the distortions and elisions of religious identity and cultural history central to the self-concept of many white fundamentalists and evangelicals. Arkansas has long been defined by poverty and isolation born of the cashless frontier societies of the state's uplands and the agrarian barter economies that prevailed in the lowlands.55Morris Arnold, "The Significance of the Arkansas Colonial Experience," Arkansas Historical Quarterly 51 (Spring 1992): 7880. The MartinsJoyce Martin McCullough, Judy Martin Hess, and Jonathan Martingrew up in Hamburg, Ark., (pop. The Martins's success draws upon an Arkansas imaginary that features a racially unconflicted working-class identity as well as a constellation of musical associations, cultural affinities, and attitudes grounded in piety, rusticity, and close harmony. They live in Nashville and have two children (Martin Sanders was married previously to Harrie McCullough, with whom he had a child). May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. Winter's Bone. It was Mark, Mike, of course the three Martins, Gloria and two or three other people. Southern gospel has found itself in alliances with black gospel traditions and the black church. Gaither Gospel Series DVD cover. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, "Martins Storm Back onto the Scene," sgnscoops.com, December 17, 2013 [accessed January 31, 2014)]. Oxford: Oxford University Press, 2012. http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2224388. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. This reputation is curious, because most of the music the group has written, recorded, and performed outside Homecoming merrily mixes and merges stylistic features from adjacent genres and traditions: most notably, CCM, country, southern and urban gospel, choral music, inspirational, light rock, pop, and classic hymnody. Instead, CCM performers and fans came together around a common commitment to reclaim the devil's music for God. Martin P. Joyce might be a juvenile justice worker in Youngstown, Ohio. Southern gospel denotes "an overlapping, commercialized national network of musical products, professionals, and their fans, commonly referred to as 'the industry'" (Harrison, Then Sings My Soul, 45). Researched in the 1990s and published in 2002, Close Harmony traces the music's development from the nineteenth century. Its primitive construction and the faded color photo intensify the contrast between rustic lifeways and the warmly lit, generously appointed, and contemporarily decorated set in which The Martins appear comfortable, coiffed, and professionally poised. Religion Dispatches. Photograph by Judy Baxter. Examining the rise of the gospel singing trio The Martins and the deployment of their rural Arkansas roots to shape their popularity in Christian music entertainment, this essay reveals how an evocation of place functions in the practice of religious life within commercial southern (white) gospel music and fundamentalist Protestantism. Similarly, Gerald Wolfe, also originally a pianist for the Cathedral Quartet and subsequently the owner and emcee of his own professional trio, Greater Vision, was famously plucked from obscurity (or so the story went onstage in his early years as a performer) while singing with the Dumplin' Valley Boys.49References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. Joyce E. (Sanders) Martin (born 1946) - Texas Several prominent bluegrass and old time families have been mainstays of southern gospel since family acts began to emerge in the 1930s and 1940s: most prominently, The Lewis Family and The Chuck Wagon Gang, and later the Primitive Quartet, The Easters, and The Isaacs. Just as significantly, while From Kentucky With Love, or From the Smoky Mountains With Love, would probably be received with the same warmth and enthusiasm that greeted The Martins's music, the precise structure of a Kentucky imaginary or a Smoky Mountain imaginary would be located in the meaning-making of those places. A journal about real and imagined spaces and places of the US South and their global connections. . The peer reviewers for Southern Spaces provided generous feedback that sharpened my thinking and refined the essay's argument considerably. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. tippy('#footnote_plugin_tooltip_1524_1_25', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_25').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); conservatives primarily in denominationally unaffiliated megachurchessouthern gospel has come to voice the revanchist critique of non-denominational evangelicalism offered by old-line denominational fundamentalists (namely, Southern Baptists, General Baptists, Free Will Baptists, and Independent Baptists; Nazarenes; Church of God; Church of Christ; Assemblies of God; and the more fundamentalist strains of Methodism).26These denominations were most frequently represented in original ethnographic research I have conducted into the contemporary culture of southern gospel. tippy('#footnote_plugin_tooltip_1524_1_7', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_7').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); "southern gospel" brings with it additional layers of interpretive complication regarding race, class, and geography. It emphasizes the unfolding of God's dealings with humanity in phases or eras ("dispensations"). And that was actually the first time Bill heard us sing. Through southern gospel, participants "develop the capacity to think and act as modern pluralists or situational relativists when necessary, while retaining their identification with antimodern religious traditions that notionally believe in timeless, unchanging absolutes. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. Why did Joyce Martin of the Martins divorce? - Answers The noticeable absence of non-whites in these films, like the assumptions at work in Blevins's account and Gaither video, suggests to the degree to which whiteness remains largely unelucidated as a structuring category of identity, ideology, and religious belief in southern gospel. Directed by Bill Gaither. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. Help; Joyce Martin-Sanders View source History Christian vocalists The Martins Joyce Martin Sanders, Jonathan Martin and Judy Martin Hess perform at the Missouri Theater at 7:30 p.m. Feb. 17. He was very busy and was getting ready for the next day's video. May 3, 1971) lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. Although the male quartet continued to dominate southern gospel's self-image, the genre as a commercial enterprise became home for strains of more traditional white evangelical vernacular sacred musics, including explicitly pietistic bluegrass and country gospel. tippy('#footnote_plugin_tooltip_1524_1_36', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_36').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This retreat from metropolis to outpost acknowledges that southern gospel is no longer a national phenomenon.37 Douglas Harrison, "Slouching Toward Pigeon Forge." As Stephen Shearon has noted, both white and black gospel have "liked aspects of what the other was doing" ever since blacks and whites began singing sacred music near one another in North America. Southern Gospel's Decline and the Sister-Bertha-Better-Than-You Effect, The Cultural Consolations of the Hillbilly, Tradition, Progress, and Cultural Instability, Music Album Sales in the United States in 2012, by Genre, The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut, Natalie Grant Responds after Leaving Grammys Early, National Quartet Convention Ending Long Run in Louisville, Then Sings My Soul: The Culture of Southern Gospel Music. Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. They have won several Dove Awards (Christian music's Grammy) in the southern gospel, inspirational, and Christian country categories, and received a Grammy nomination in the Best Southern, Country, or Bluegrass Gospel Album category. (See Harrison, Then Sings My Soul, 182183). Home; Labels; News; Engage. Actress. The Martins - Wikiwand "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. For more on the demographic profile of southern gospel see Harrison. tippy('#footnote_plugin_tooltip_1524_1_41', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_41').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This dearth conforms to a tendency in southern gospel to celebrate those performers who seem to embody orthodox cultural values, religious beliefs, and pietistic practices, as opposed to those who provide rich and particularized details about their personal lives. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music," Studies in Popular Culture 20, no. For more on cultural-geographic conceptualizations of place, see John Agnew, The United States in the World Economy: A Regional Geography (London: Cambridge University Press, 1987), and Cresswell, Place. The Martins. The core of this essay began as a conference paper for the 2013 conference of the Society for American Music. "62 Bethany Moreton, To Serve God and Wal-Mart (Cambridge: Harvard University Press, 2009), 5. tippy('#footnote_plugin_tooltip_1524_1_62', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_62').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The gestalt of Arkansas rusticity associated with The Martins serves to understand their sophisticated harmonies. The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. In its current, commercial form, this tradition "is most powerfully defined by common historical, economic, social, and cultural connections among professionals and fans to a constellation of corporate and professional organizations that anchor the creation, consumption, and commemoration of the music," Gaither Homecoming among them. Just as I Am: 30 Favorite Old Time Hymns, was nominated for a 1998 Grammy in the same category. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music,". UrbanaChampaign: University of Illinois Press, 2012. In the broadest sense, The Martins here evince how "the interaction of lyrics, music, and religious experience in southern gospel functions as a way for evangelicals to cultivate the social tools and emotional intelligence necessary for modern living." For discussions of the Traveler trope see ". tippy('#footnote_plugin_tooltip_1524_1_56', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_56').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); A particular Arkansas primitivism merits attention here. 2014.grammys.criticized.as.political.stunt.to.push.gay.marriage.agenda.natalie.grant.responds.after.early.exit/35586.htm). Chapel Hill: University of North Carolina Press, 2011. To Serve God and Wal-Mart. : Gaither Music, 2011. Goff, On backwoods virtuosi, see Harrison, "Grace to Catch a Falling Soul. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. For faster navigation, this Iframe is preloading the Wikiwand page for The Martins. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr, and their four children. In the late 1980s and early 1990s, The Martins performed mostly in the southern half of the Mississippi Delta region and recorded self-financed albums. tippy('#footnote_plugin_tooltip_1524_1_1', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_1').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In its modern, commercial form, southern gospel emerges "from a broad-based, post-Civil War recreational culture built around singing schools and community (or 'convention') singings popular among poor and working-class whites throughout the South and Midwest. We sang "He Leadeth Me" a cappella for Gloria Gaither, in the ladies bathroom, in Anderson, Ind. For an overview of southern gospel's history and development within the wider domain of American gospel music, see Shearon et al., "Gospel Music," and Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990). "Andy Griffith Dies." Blevins, Brooks. Biography Mini Bio (1) Joyce Martin-Sanders is known for Gaither's Pond (1997). Fox, Pamela. [5] Jonathan Martin (b. Grammy.com, July 3, 2013, accessed October 1, 2013, http://www.grammy.com/blogs/andy-griffith-dies. The Martins grew up in Northeast Louisiana, where their parents encouraged them to make a joyful noise. Joyce Martin Sanders | BetterTogether.tv Sign up for updates about Better Together on TBN. tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. The Martins appear to possess an unadorned, God-given popularity that abides in their embodiment of white tradition and progress. For more on the rise and spread of southern gospel regionally and nationally, see James R. Goff Jr., Close Harmony: A History of Southern Gospel (Chapel HIll: University of North Carolina Press, 2001), 50109; Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990), 153162; 171176. Cine d'aventuras - Biquipedia, a enciclopedia libre Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, ", In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. What started in Hawaii more than a decade earlier ends in Studio A in Andersonville, Indiana, with Gaither presiding as witness to The Martins's musical authenticityby sea, in the studio, (notionally) on command, at home among southern gospel's Homecoming Friends or in faraway lands. [South Barrington, IL: Willow Creek Association, 2007]). For more on Gaither Homecomings and their role and appeal in southern gospel and beyond, see ibid., 110136. Averyfineline.com, September 24, 2012, accessed October 1, 2013, http://averyfineline.com/2012/09/24/slouching-toward-pigeon-forge/. The conversation encourages audiences to understand The Martins's music as a cultural practice connected to the Arkansas backcountry. But so too are there imaginaries rooted in the history, mores, and culture of more particular geographies requiring study to understand their cultural formations and uses. The Gospel Music Association (GMA), Christian music's umbrella professional organization that administers the Dove Awards (Christian Music's Grammys), classifies this type of black Christian music as "traditional gospel," as distinct from "contemporary gospel," which encompasses black gospel in the style of mainstream R&B. The Martins singand their fans enjoya fairly broad range of musical styles and an innovative pastiche of old and new that is often indistinguishable from some of the very CCM sounds southern gospel has long denounced as immoral and worldly. Music publishers of seven-shape notational gospel music and the convention singing tradition to which these publishers catered were familiar with the term for much of the twentieth century. She is divorced and has been for some time, but the date of her divorce is not listed. tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. "51Harrison, Then Sings My Soul, 5. tippy('#footnote_plugin_tooltip_1524_1_51', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_51').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); As The Martins achieved fame and renown, they did so less because of what and how they sang, and more because of the way in which they have presented themselves and their music, and the way the Gaither Homecoming appropriated them as children of traditional gospel values at a moment when the viability of these values was perceived to be in question.

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